Dean Tyson

Dean Tyson, whose tribal name is Bingkin, is a respected Goori artist and cultural practitioner from Southeast Queensland. Proudly identifying as a ‘Brisbane Black,’ Bingkin is of the Meerooni tribe of the Gurang Nation and the Ngugi tribe of the Quandamooka Nation, with ancestral ties to the Gungalu and Gunggari peoples.

Bingkin’s artwork is deeply influenced by the wisdom passed down from his elders and his strong connection to his cultural heritage. His paintings, often featuring saltwater lore & Dreaming stories, honour the traditions of his people and the landscapes of his ancestral lands. Painting is both a way to keep culture alive and sharing his cultural knowledge, with meaningful stories into every piece.

Fintan Magee

Fintan Magee is a Sydney based social realist painter, specialising in large-scale murals. Born in 1985 in Lismore, New South Wales, to an architect mother and father who was a sculptor, he started drawing at a young age. His earlier large-scale paintings often inhabited the isolated, abandoned and broken corners of the city, and today are found all over the world including in London, Vienna, Los Angeles, Miami, Atlanta, Buenos Aires, Copenhagen, Kyiv, Rome, Jordan, and Dublin among others. 

Magee’s practice is informed by a profound interest in political murals, inspired by exposure at a young age to those of his father’s native Northern Ireland. This is reflected in the socialist nature of his public artworks, which combine journalistic elements with public art. Magee’s work is driven by his recognition of the power of murals to communicate political and social viewpoints and thus divide or unite communities. 

Drawing from personal experience and the mundane, his figurative paintings are deeply integrated with the urban environment and explore themes of diversity, migration and transition, waste and consumption, loss, and the environment. His works exude an inherent sentimentality and softness influenced by children’s books and the Low Brow art movement.

Simon Degroot

Simon Degroot is a Brisbane based artist who considers how contemporary abstract painting can interrogate and form a dialogue with pre-existing image details and abstract forms. He completed postgraduate studies at the Queensland College of Art where he was awarded his PhD in 2017 with an exhibition titled, Familiar Beyond Recognition: Translation in Contemporary Abstraction.

Degroot maintains an active profile of solo and group exhibitions including: Decorate at Wellington St Projects, Sydney (2017), Picture Building at Kick Arts Contemporary, Cairns (2016), Indirect Response Postgraduate and Other Projects Griffith University, Brisbane (2015), Composite Orders Rubicon Ari, Melbourne (2015), Shallow Space Australian National Capital Artists Gallery, Canberra (2014). In 2015 and 2018 he was awarded the Moreton Bay Art Award.

In addition to his studio practice Degroot creates large-scale wall paintings and exterior murals. He has completed significant public work for a range of high profile clients including The City of South Perth, Bundaberg Regional Galleries, Queensland Rail, Cairns Regional Council, Brisbane City Council and The Brisbane Hilton. These projects compliment his studio investigations and provide opportunities for expanded painting.

Rossella Zanolini

Rossella, originally from Brescia, Italy, has always had a passion for art. After studying Fine Arts in Bologna, she set off to explore the world, creating murals inspired by the places she visits. Her travels continue to fuel her creativity, with each mural capturing elements of the local culture and landscape. Through her work, Rossella aims to bring color and joy to the spaces she paints, using art to connect with people and share stories. Her murals reflect her belief in art’s ability to build understanding and bring people together, making each piece a unique celebration of the world’s diversity.

Carley Cornelissen

In my work, I am creating compressed versions of the Australian environment where indigenous species are competing for space between the introduced flora and fauna. 

I start with research and images of the particular species and then assemble my palette. I am inspired by colour combination and patterns that I see in everyday life, in nature and design. My process is playing with patterns, colour and negative space to see what emerges and take risks, do something I haven’t done before. Behind the playfulness is the question, can there eventually be a harmonious balance between the different species?

LEANS

Leans is a young artist based in Brisbane, Australia. His work Is influenced by his daily intake of the internet, art history, the people that surround him, the past, the future and everything in between. Through his work he strives to fabricate a surreal vision that can be seen by the viewer on numerous occasions and enjoyed in alternative ways on each visit.

Leans is an interdisciplinary artist. Through the mediums of oil paint, wooden sculpture, embroidery, animation and Bronze, Leans combines psychedelic pop elements with traditional techniques to give birth to a new world.

The artist draws inspiration from the likes of Rick Griffin, R.Crumb and living artists such as Takashi Murakami and Daniel Arsham. Leans combines these influences with his graffiti roots and offers a captivating stance on modern psychedelic art.

Leans believes that through the use of new technology and traditional techniques, he can carve a new path in the psychedelic pop world.

SOFLES

Russell Fenn, better known as Sofles, is an Australian graffiti artist originating from Brisbane. Self-taught, he has been honing his skills for over 20 years, exploring various mediums such as spray paint, acrylic, drawing and brush painting, as well as digital and illustration works. Sofles’ large scale murals have taken him around the world ten times over and now grace many of the world’s largest cities, including Berlin, Copenhagen, Oslo, Las Vegas, and LA. Sofles has a clear goal with his art; he aims to create strong images that evoke emotions in people.

“I believe art should be an important part of the city landscape. I want to create public art for people to enjoy, to transform spaces”

Meeting of Styles Australia

This May, the world-renowned Meeting of Styles returns to Australia, bringing together some of the most electrifying graffiti and street artists from across the country and beyond. Part of a global network of urban art festivals, Meeting of Styles celebrates the vibrant culture of graffiti, muralism, and large-scale street art, transforming public spaces into dynamic canvases of creativity.

With walls as its stage and spray cans as its voice, the event is more than just a showcase – it’s a movement. Expect live painting, immersive installations, workshops, and an atmosphere charged with artistic energy. Whether you’re an artist, a street art enthusiast, or just curious about the culture.

Meeting of Styles will take place 10th & 11th May from 9am  – 5pm at Superordinary, 175 MacArthur Ave, Hamilton (FREE EVENT).

Follow @MeetingofStylesAu on Instagram for updates on the lineup, locations, and more details as we gear up to make Meeting of Styles 2025 an unforgettable celebration of urban art!

Join us at the BSAF 2025 + Meeting of Styles: Launch Party on 10th May from 5pm at Superordinary! Tickets available HERE.

Click HERE for more information on Meeting of Styles Australia 2025.

Brisbane / Meanjin Paste Up Festival

What?

Brisbane / Meanjin Paste Up Festival (BMPUF) is being run for the first time in Brisbane / Meanjin, as a component of the BSAF and Meeting of Styles in May 2025. Inspired by similar events in Argentina and London, BMPUF offers artists from around the world the chance to travel to Brisbane / Meanjin vicariously through their art.

Why?

Hoping to raise the profile and appreciation of paste-up – a form of street art that, despite its rich and important role in history, tends to fly under the radar. Paste up is arguably the most democratic form of art because it can be done by anyone with no need for qualifications or approval from the establishment. The safer process makes it more equitable – it allows the artist to create their art from a safe place (e.g. home, the library, etc.) and to spend only a very short time in the public realm doing the actual pasting. 

Paste-ups typically involve paper-based artworks adhered to walls or other public surfaces using an adhesive paste. The method itself is quick and easy to execute. Paste-ups can be anything from simple text-based posters to complex, multi-layered images and collages. While graffiti and murals tend to dominate the street art scene, paste-ups are transient and often layered intentional or unintentional collaborations between multiple artists. “Artists know that their work might vanish overnight under a new layer of urban life.”

War of The Words

War of the Words says bring back the battle.

Battles have existed since the dawn of crime and could determine the king of a line or the rightful writer of a common tag. The Rson battle at Sydney’s Bondi Beach in the late 90s was an example of a friendly battle between two dope writers writing the same word. Both painted that day, and both rocked their best with opinions on the winner changing between people in the audience. Regardless of who won, each writer’s individual style was on show and would inspire many others.

While this special edition of WOTW won’t feature a head-to-head showdown, the spirit of the battle lives on. In a special presentation, War of the Words founder, Amuseone, will be throwing down a live burner demonstration – showcasing the elements that define true graffiti mastery. Expect style, flow, arrows and doo-dads, all executed with precision and flair.

At 6pm on Saturday 10th May, the creator and producer of ‘War of the Words’, Amuse One, will ask the audience to give him 5 x 5-letter words, all which will be thrown into a hat. He will spend the next 2 hours frantically painting the random word drawn from the hat and Amuse will be drawing on his 33 years of letter bending experience to bring together a graffiti piece that personifies the word drawn.

Come and check it out!

*This event will take place as part of the BSAF 2025 + Meeting of Styles: Launch Party