Marsh’s work explores the growing cross over between graffiti and high art, popular culture and the cult of the celebrity. Marsh pairs traditional motifs, elements of impressionism and pop with the pallet, scale & techniques associated with graffiti. Spending his formative years exploring and painting throughout Sydney’s rail network. “Much of what I employ in terms of pallet, scale and the manner in which I paint comes from my background in graffiti”. The language of Graffiti is deeply personal to Marsh and the foundation of his style and practice. He finds graffiti to be as prolific as advertising, democratic, unsanctioned and accessible to all.